Estate / Collection: The Howard Phipps, Jr. Collection, Erchless, Old Westbury
COBURN, ALVIN LANGDON (1882–1966)
BELLOC, HILAIRE (foreword). London. London and New York: Duckworth/Brentano's, 1909. First edition. Publisher's green calf over gray gilt-lettered boards. 16 x 12 inches (40.5 x 31 cm); [24 pp.], with 20 (of 20) very fine hand-pulled photogravures tipped to gray paper sheets. The spine worn (as usual; the leather used was of poor quality) and with old staining, which does not penetrate the book; some rubbing and soiling to the boards, minor intermittent foxing to the text, but with the plates in fresh condition.
Alvin Langdon Coburn was one of the triumvirate of photographers (along with Steichen and Stieglitz) that dominated the field of photography at the turn of the century. He had studied when younger with the American painter and printmaker Arthur Wesley Dow. Coburn prepared the plates for this work himself, and though he did not himself print them (other than some few proofs), he carefully oversaw the preparation of the book. Consequently, it is one of the finest examples of Pictorialism, and a true artist's book. Parr & Badger I:74 noting that this work saw "...the concern of the more advanced pictorialist with ‘modern’ subjects, namely the 20th-century city—a shift in attitude that triggered the final push towards photographic modernism.”
Estate / Collection: The Howard Phipps, Jr. Collection, Erchless, Old Westbury
COBURN, ALVIN LANGDON (1882–1966)
BELLOC, HILAIRE (foreword). London. London and New York: Duckworth/Brentano's, 1909. First edition. Publisher's green calf over gray gilt-lettered boards. 16 x 12 inches (40.5 x 31 cm); [24 pp.], with 20 (of 20) very fine hand-pulled photogravures tipped to gray paper sheets. The spine worn (as usual; the leather used was of poor quality) and with old staining, which does not penetrate the book; some rubbing and soiling to the boards, minor intermittent foxing to the text, but with the plates in fresh condition.
Alvin Langdon Coburn was one of the triumvirate of photographers (along with Steichen and Stieglitz) that dominated the field of photography at the turn of the century. He had studied when younger with the American painter and printmaker Arthur Wesley Dow. Coburn prepared the plates for this work himself, and though he did not himself print them (other than some few proofs), he carefully oversaw the preparation of the book. Consequently, it is one of the finest examples of Pictorialism, and a true artist's book. Parr & Badger I:74 noting that this work saw "...the concern of the more advanced pictorialist with ‘modern’ subjects, namely the 20th-century city—a shift in attitude that triggered the final push towards photographic modernism.”
The Howard Phipps, Jr. Collection, Erchless, Old Westbury
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Auction: Old Master Paintings / Phipps Collection / Silver / English & Continental Furniture, Jan 28, 2025
NEW YORK, NY -- Doyle's auction on Tuesday, January 28, 2025 will offer 19th Century & Old Master Paintings & Drawings as well as The Collection of Howard Phipps Jr., Erchless, Westbury.
The auction onWednesday, January 29 at 10am will feature English & Continental Decorative Arts and English & Continental Silver.
Consignments are currently being accepted. We invite you to contact us for a complimentary auction evaluation. Our Specialists are always available to discuss the sale of a single item or an entire collection.
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