French, 1869-1954
Le Dessert, Femme à Table, circa 1938
Signed Albert Andre (lr); inscribed No 6 and 11508 on the stretcher
Oil on canvas
23 5/8 x 28 3/4 inches (60 x 73 cm)
Provenance:
Durand-Ruel, Paris, purchased from the artist on Feb. 10th, 1939
M. J. Ohrbach, acquired from the above on May 19th, 1959
Johanna U. Morris Trust, Los Angeles
Montgomery Gallery, San Francisco
Acquired from the above in 1997
This work is registered in the Archives Durand-Ruel under photo no. 11508. This work will be included in the forthcoming Albert André catalogue critique being prepared by Béatrice Roche, Alain Girard and Flavie Durand-Ruel.
French, 1869-1954
Le Dessert, Femme à Table, circa 1938
Signed Albert Andre (lr); inscribed No 6 and 11508 on the stretcher
Oil on canvas
23 5/8 x 28 3/4 inches (60 x 73 cm)
Provenance:
Durand-Ruel, Paris, purchased from the artist on Feb. 10th, 1939
M. J. Ohrbach, acquired from the above on May 19th, 1959
Johanna U. Morris Trust, Los Angeles
Montgomery Gallery, San Francisco
Acquired from the above in 1997
This work is registered in the Archives Durand-Ruel under photo no. 11508. This work will be included in the forthcoming Albert André catalogue critique being prepared by Béatrice Roche, Alain Girard and Flavie Durand-Ruel.
Glue relined; frame rubbing; scattered spots of inpainting including: some spots in her face, along the right edge; few inch oval area at right center; larger area of tiny spots in the lower right corner.
Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
Auction: Impressionist & Modern Art / Post-War & Contemporary Art, May 8, 2024
NEW YORK, NY -- Doyle’s auction of Impressionist & Modern Art on May 8, 2024 drew spirited bidding from collectors around the globe. Showcased were important European, American and Asian paintings, drawings and sculpture spanning Academic and Barbizon art through Impressionism and Post-Impressionism to Russian works and early Modernism. Offered together with Post-War & Contemporary Art, the sale total topped $3.7 million.
Fairfield Porter – Sold for $267,200
In a direct reaction to the Abstract Expressionist movement in American painting, many artists made a choice to return to representational work. Fairfield Porter (1907-1975), along with others such as Philip Guston, Grace Hartigan and Elaine DeKooning painted landscapes, still lifes and portraits. One such work is Porter’s Wild Roses from 1961, which soared over its estimate of $100,000-150,000 to achieve $267,200. Through flattening of forms and broad expressive brushstrokes, Porter used the vehicle of modernist painting styles to drive the public’s attention back towards representational art.
Other Noteworthy Results
The sale also saw strong results for works by Natalia Goncharova, John Atkinson Grimshaw, Philip Leslie Hale, George Hitchcock, Jane Peterson, Dorothea Sharp, Eugen von Blaas and Vu Cao Dam, among many others.
Consignments are currently being accepted for future auctions. We invite you to contact us for a complimentary auction evaluation. Our Specialists are always available to discuss the sale of a single item or an entire collection.
For information, please contact Shani Toledano, 212-427-4141, ext 236 or Bill Fiddler at ext 249, or Paintings@Doyle.com