May 14, 2025 11:00 EST

Important Fine Art

 
  Lot 31
 

31

Mary Stevenson Cassatt

Estate / Collection: Collection of a Palm Beach Family

American, 1844 - 1926
Sewing in the Conservancy (also known as "Girl Knitting", "Femme tricotant", and "Jeune femme brodant")
Signed Mary Cassatt (ll)
Pastel on paper
28 1/2 x 21 1/8 inches (72.39 x 53.66cm)

Provenance:
The artist
Ambroise Vollard, Paris
Martin Fabiani, Paris
Mlle. Fouque et Mlle. Deschryvère, 1945
Galerie Charpentier, Paris, dec. 10, 1959, no. 4, illus., as Jeune femme tricotant
Galerie Motte, Geneva, Apr. 25, 1961, no. 244, illus., as Jeune femme brodant
International Gallery, Chicago, 1965
Bernice S. (Mrs. Samuel E.) Johnson, Chicago, by 1969
Ursula and R. Stanley Johnson Family Collection, Chicago

Exhibited:
Chicago, IL, International Galleries, Mary Cassatt 1844-1926: Retrospective Exhibition, Nov. - Dec., 1965, no. 10
Evanston, IL, Terra Museum of American Art, Two Hundred Years of American Painting from Private Chicago Collections, Jun. 25 - Sep. 2, 1983, no. 31, illus., as Girl Knitting
Chicago, IL, R. S. Johnson Fine Art, Mary Cassatt 1844-1826, Winter 1997-98, no. 8, illus., as Sewing in the Conservatory
West Palm Beach, FL, Norton Museum of Art, Mary Cassatt: Pastels and Drawings at the Norton Museum, Au. 19 - Oct. 30, 2006
West Palm Beach, FL, Norton Museum of Art, Between Drawing and Paintings: Pastels from the Collection, Aug. 12 - Oct. 29, 2023

Literature:
Adelyn Dohme Breeskin, Mary Cassatt: A Catalogue Raisonné of the Oils, Pastels, Watercolors, and Drawings, Washington D. C., 1970, p. 177, no. 461, illus.

Please note that this work is included as no. 620 in the Cassatt Committee's revision of Adelyn Dohme Breeskin's catalogue raisonné of the works of Mary Cassatt. Additions to the provenance and exhibition history were made on April 28th.

Framed: 40 x 32 3/4 inches

Sold for $254,500
Estimated at $300,000 - $500,000

Includes Buyer's Premium


 

Estate / Collection: Collection of a Palm Beach Family

American, 1844 - 1926
Sewing in the Conservancy (also known as "Girl Knitting", "Femme tricotant", and "Jeune femme brodant")
Signed Mary Cassatt (ll)
Pastel on paper
28 1/2 x 21 1/8 inches (72.39 x 53.66cm)

Provenance:
The artist
Ambroise Vollard, Paris
Martin Fabiani, Paris
Mlle. Fouque et Mlle. Deschryvère, 1945
Galerie Charpentier, Paris, dec. 10, 1959, no. 4, illus., as Jeune femme tricotant
Galerie Motte, Geneva, Apr. 25, 1961, no. 244, illus., as Jeune femme brodant
International Gallery, Chicago, 1965
Bernice S. (Mrs. Samuel E.) Johnson, Chicago, by 1969
Ursula and R. Stanley Johnson Family Collection, Chicago

Exhibited:
Chicago, IL, International Galleries, Mary Cassatt 1844-1926: Retrospective Exhibition, Nov. - Dec., 1965, no. 10
Evanston, IL, Terra Museum of American Art, Two Hundred Years of American Painting from Private Chicago Collections, Jun. 25 - Sep. 2, 1983, no. 31, illus., as Girl Knitting
Chicago, IL, R. S. Johnson Fine Art, Mary Cassatt 1844-1826, Winter 1997-98, no. 8, illus., as Sewing in the Conservatory
West Palm Beach, FL, Norton Museum of Art, Mary Cassatt: Pastels and Drawings at the Norton Museum, Au. 19 - Oct. 30, 2006
West Palm Beach, FL, Norton Museum of Art, Between Drawing and Paintings: Pastels from the Collection, Aug. 12 - Oct. 29, 2023

Literature:
Adelyn Dohme Breeskin, Mary Cassatt: A Catalogue Raisonné of the Oils, Pastels, Watercolors, and Drawings, Washington D. C., 1970, p. 177, no. 461, illus.

Please note that this work is included as no. 620 in the Cassatt Committee's revision of Adelyn Dohme Breeskin's catalogue raisonné of the works of Mary Cassatt. Additions to the provenance and exhibition history were made on April 28th.

Framed: 40 x 32 3/4 inches

Inspected out of frame. Overall in great condition. Taped to a support board at the corners and in spots along the edges. Pinholes along the edges. Light buckling to the sheet at the corners. A light abrasion just above the hands of the subject. two 1/2-inch tears at the edges, one along the left side towards the upper corner and the other at the top edge, near the center. Both fall under the rabbet.

Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.

Auction: Important Fine Art, May 14, 2025

  • Calder Stabile Achieved $1 Million at May 15, 2024 Sale of Important Fine Art

  • Competitive Bidding Drove Strong Results for Paintings, Drawings & Sculpture of the Mid-19th to Late 20th Century

  • We Invite You to Contact Us for a Complimentary Auction Evaluation of Your Collection

NEW YORK, NY -- Doyle's highly-anticipated auction of Important Fine Art on May 14, 2025 attracted bidders from across the country and around the world driving strong results for artworks spanning the mid-19th to late 20th century.

Alexander Calder Tops $1 Million
Highlighting the sale was a stabile by Alexander Calder (1898-1976) that soared past its estimate of $400,000-600,000 to achieve a stunning $1,041,900. Spirited competition over several minutes in the saleroom, on the telephones, and online culminated in a winning bid from a private collector participating by telephone. Created in 1969, Calder's sublime Krinkly Klang has remained part of the Harvey and Violet Werner collection since 1981. Prior to joining the Werner family collection, Krinkly Klang was exhibited in a 1973 exhibition at the Charles F. MacNiber Museum in Mason City, Iowa. Showcasing Calder's bold primary colors, this stately stabile features a hard-edged geometric base, adorned with mobile elements that gracefully balance on a thin point. Seven elements extend from the delicate wires; striking white flags and circles, one graced with Calder's classic monogram and year of creation.

Other Noteworthy Highlights

From the Estate of Carol Feinberg Cohen, a masterful abstracted landscape painted in 1980, Vista, by Helen Frankenthaler (1928-2011) realized $445,000.

A seminal work, Game #2, 1960, by the enigmatic and influential painter Bob Thompson (1937-1966) more than doubled its $80,000-120,000 estimate, selling for $254,500 – one of the highest auction prices for the artist. Read Essay

From the Collection of Joanne B. Breyer, Childe Hassam’s (1859-1935) impressionist view of Dunes near the Sea from 1890 sold for $254,500.

From the Collection of a Palm Beach Family, an intimate pastel on paper by Mary Cassatt (1844-1926) titled Sewing in the Conservancy realized $254,500.

From the Estate of Nancy Ann Silver Shalit, German artist Fritz Winter’s (1905-1976) abstraction from 1956, Ausklingend (Ceasing to Sound), sold for $178,300 – an exceptionally strong result for a U.S. sale.

From the Collection of Roberta Peters, a color-drenched summertime view, Beach Scene, Edgartown, by Jane Peterson (1876-1965) doubled its $50,000-80,000 estimate, selling for $152,900.

March Avery’s (b. 1932) Turkish Silvertrees (Gulluk), 1981, estimated at $15,000-25,000 achieved $57,600 – A World Auction Record for the Artist.

We Invite You to Auction!

Consignments are currently being accepted for future auctions. We invite you to contact us for complimentary auction estimates. Our Specialists are always available to discuss the sale of a single item or an entire collection.

REQUEST AN ESTIMATE

View all lots in this sale

Sell one like this

Your Details

Item Details

Current Location of Item(s)

Images *

Drag and drop .jpg images here to upload, or click here to select images.


Doyle Contact

Marketing Preferences