Nov 14, 2024 10:00 EST

Stage & Screen

 
Lot 90
 

90

Three remarkable scripts from the first production of Fiddler on the Roof

[SHELDON HARNICK, JERRY BOCK and JOSEPH STEIN]

Fiddler on the Roof. New York: circa 22 September 1964. Two of stage manager James Bronson's annotated scripts and a third offering lighting instructions for the first production of Fiddler on the Roof. There are three scripts:

1) Likely the earliest script is identified on the title page as "Tab Version ... No Intermission" which is also signed "Bronson" and is annotated with the length of each song. Overall approximately 70 pages, held in a burgundy binder, this script toned and with dampstaining, annotated as noted.

There are two scripts identified on the title pages as "Final Playing Version as of September 22, 1964." 2) The first is in its original flexible cover lettered in gilt which is held in a black binder, the title page signed "J. Bronson" and this identified as copy #2 in ink, annotated throughout in pencil and occasional ink and crayon, approximately 103 pages, some staining, wear to original binding. 3) The second of these may be the copy belonging to the lighting engineer. The script is hole-punched and held in a three-ring binder. The title is unsigned and the ink annotations within, which sometimes appear on inserted pages, offer lighting instructions, spotting and light staining and wear to binder. Also present is also an approximately 15-page copied "Wardrobe Cue" document from a later national tour, circa 1982.

Fiddler on the Roof opened on Broadway at the Imperial Theatre on September 22, 1964 and ran for a record-setting 3,242 performances before closing in 1972. The original Broadway production was nominated for 10 Tony Awards in 1964 winning nine including Best Musical among others. The script here that is believed to be the earliest is marked "Tab version... no intermission." In this script, the show seems to run as one long act with 15 scenes and is numbered as such, although the two leaves that form the prologue to Act II are inserted in the correct position. This script, which is heavily annotated at points correcting lines, is worthy of future research. The other two "Final Playing Version" scripts that are dated as of opening night in September 1964 offer the full expanded two-act musical. These seem to match the script held in the Zero and Kate Mostel Papers at NYPL. Such early materials from the first production of Fiddler on the Roof, one of the most successful and frequently revived musicals in history, are scarce.

James Lord Bronson (1921-1988) was the production/stage manager for the opening run of many legendary Broadway shows including: Stephen Sondheim’s Gypsy at the Broadway and Imperial Theatres, 1959 to 1962, with Ethel Merman and Jack Klugman; A Family Affair at the Billy Rose Theatre, 1962, with Shelley Berman; Stephen Sondheim’s A Funny Thing Happened on the Way to the Forum at the Alvin, Mark Hellinger and Majestic Theatres, 1962-1964, with Zero Mostel, David Burns and John Carradine; Fiddler on the Roof at the Imperial, Majestic and Broadway Theatres, 1964-1972; Zorba at the Imperial, 1968-1969; Cabaret with Zero Mostel and Beatrice Arthur at the Broadhurst, Imperial and Broadway Theatres, 1966-1969; and Stephen Sondheim’s Company at the Alvin Theatre, 1970.

Sold for $4,160
Estimated at $2,000 - $3,000

Includes Buyer's Premium


 

[SHELDON HARNICK, JERRY BOCK and JOSEPH STEIN]

Fiddler on the Roof. New York: circa 22 September 1964. Two of stage manager James Bronson's annotated scripts and a third offering lighting instructions for the first production of Fiddler on the Roof. There are three scripts:

1) Likely the earliest script is identified on the title page as "Tab Version ... No Intermission" which is also signed "Bronson" and is annotated with the length of each song. Overall approximately 70 pages, held in a burgundy binder, this script toned and with dampstaining, annotated as noted.

There are two scripts identified on the title pages as "Final Playing Version as of September 22, 1964." 2) The first is in its original flexible cover lettered in gilt which is held in a black binder, the title page signed "J. Bronson" and this identified as copy #2 in ink, annotated throughout in pencil and occasional ink and crayon, approximately 103 pages, some staining, wear to original binding. 3) The second of these may be the copy belonging to the lighting engineer. The script is hole-punched and held in a three-ring binder. The title is unsigned and the ink annotations within, which sometimes appear on inserted pages, offer lighting instructions, spotting and light staining and wear to binder. Also present is also an approximately 15-page copied "Wardrobe Cue" document from a later national tour, circa 1982.

Fiddler on the Roof opened on Broadway at the Imperial Theatre on September 22, 1964 and ran for a record-setting 3,242 performances before closing in 1972. The original Broadway production was nominated for 10 Tony Awards in 1964 winning nine including Best Musical among others. The script here that is believed to be the earliest is marked "Tab version... no intermission." In this script, the show seems to run as one long act with 15 scenes and is numbered as such, although the two leaves that form the prologue to Act II are inserted in the correct position. This script, which is heavily annotated at points correcting lines, is worthy of future research. The other two "Final Playing Version" scripts that are dated as of opening night in September 1964 offer the full expanded two-act musical. These seem to match the script held in the Zero and Kate Mostel Papers at NYPL. Such early materials from the first production of Fiddler on the Roof, one of the most successful and frequently revived musicals in history, are scarce.

James Lord Bronson (1921-1988) was the production/stage manager for the opening run of many legendary Broadway shows including: Stephen Sondheim’s Gypsy at the Broadway and Imperial Theatres, 1959 to 1962, with Ethel Merman and Jack Klugman; A Family Affair at the Billy Rose Theatre, 1962, with Shelley Berman; Stephen Sondheim’s A Funny Thing Happened on the Way to the Forum at the Alvin, Mark Hellinger and Majestic Theatres, 1962-1964, with Zero Mostel, David Burns and John Carradine; Fiddler on the Roof at the Imperial, Majestic and Broadway Theatres, 1964-1972; Zorba at the Imperial, 1968-1969; Cabaret with Zero Mostel and Beatrice Arthur at the Broadhurst, Imperial and Broadway Theatres, 1966-1969; and Stephen Sondheim’s Company at the Alvin Theatre, 1970.

Auction: Stage & Screen, Nov 14, 2024

  • Archive of Grace Letters Tops $165K at Stage & Screen Auction on November 14, 2024

  • Memorabilia, Autographs, Artwork & Photographs of the Theater, Hollywood, Music and Dance

  • Consignments Are Currently Being Accepted for Future Auctions

NEW YORK, NY -- Fans and collectors from around the world convered at Doyle November 14, 2024 for the popular Stage & Screen auction. Held in collaboration with the Entertainment Community Fund, Stage & Screen offered artwork, memorabilia, autographs and photographs celebrating Theater, Hollywood, Music and Dance.

Archive of Grace Kelly Letters Achieves $165,600!
In 1949, twenty year old Grace Kelly moved into the Barbizon Hotel for Women in Manhattan, seeking out Broadway auditions and paying modeling gigs. In 1956, Grace Kelly married Prince Rainier of Monaco in one the greatest fairy tale weddings the world had ever seen. In the years between, Kelly starred in stylish Alfred Hitchcock films such as Rear Window and To Catch a Thief and won an Oscar for her performance in The Country Girl. In that first year in New York City, Grace Kelly met Prudence Wise who became a life long friend, personal secretary, and frequent correspondent. Offered is the largest known group of signed handwritten and typed letters, notes, personal photographs of Kelly and her children, and ephemera to come to market. The archive traces Grace Kelly’s remarkable journey from New York to Hollywood to Monaco in her own words in this substantial group of unpublished letters. View Lot

The Estate of Jerry Herman (Lots 142 - 255)
Doyle was honored to auction property from the Estate of Jerry Herman, the legendary composer/lyricist of such iconic musicals as Hello Dolly!, Mame and La Cage aux Folles. Read More

The Personal Collection of Al Jaffee (Lots 301 - 453)
Doyle was MADly excited to auction property from the Personal Collection of the legendary cartoonist Al Jaffee renowned for his groundbreaking work in MAD Magazine. The Collection will be auctioned on Friday, November 15. Read More 

The Entertainment Community Fund
Recognizing the importance of the performing arts to the fabric of New York, Doyle is proud to donate 10% of our profit from this auction to the Entertainment Community Fund (formerly The Actors Fund), a 501(c)(3) charitable organization. For further information on the Entertainment Community Fund, visit EntertainmentCommunity.org

We Invite You to Auction!

Consignments are currently being accepted for future auctions. We invite you to contact us for a complimentary auction evaluation. Our specialists are always available to discuss the sale of a single item or an entire collection.
For information, please contact
Memorabilia: Peter Costanzo, 212-427-4141, ext 248, Peter.Costanzo@Doyle.com
Artwork: Milan Tessler, 212-427-4141, ext 266, paintings@Doyle.com

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