Jun 16, 2026 11:00 EST

Fine Art

 
Lot 54
 

54

John Taylor Arms (1887-1953)

Property from a Florida Estate

RIO DEI SANTI APOS; THE ENCHANTED DOORWAY, VENEZIA (LA PORTA DELLA CARTA, VENEZIA); SHADOWS OF VENICE (IL PONTE DI RIALTO, VENEZIA); SUNLIGHT ON STONE, CAUDEBEC-EN-CAUX; LA COLEGIATA, TORO; IN MEMORIAM (THE NORTH PORTAL OF CHARTRES CATHEDRAL (FLETCHER 226, 227, 229, 241, 284, 317)
Six etchings (the second with aquatint), 1930-1939, signed and dated, the first inscribed Ed. 75, the second and fifth Edition 100, the third Ed. 100, the fourth Private Collection "a" and the sixth Trial Proof II / Touched Proof / Private Collection "a", in pencil, with good or full margins, framed.
Largest plate 15 x 12 1/4 inches; 38.1 x 31.1 cm
Largest frame 25 x 21 inches; 63.5 x 53.3 cm

Sold for $2,560
Estimated at $800 - $1,200

Includes Buyer's Premium


 

Property from a Florida Estate

RIO DEI SANTI APOS; THE ENCHANTED DOORWAY, VENEZIA (LA PORTA DELLA CARTA, VENEZIA); SHADOWS OF VENICE (IL PONTE DI RIALTO, VENEZIA); SUNLIGHT ON STONE, CAUDEBEC-EN-CAUX; LA COLEGIATA, TORO; IN MEMORIAM (THE NORTH PORTAL OF CHARTRES CATHEDRAL (FLETCHER 226, 227, 229, 241, 284, 317)
Six etchings (the second with aquatint), 1930-1939, signed and dated, the first inscribed Ed. 75, the second and fifth Edition 100, the third Ed. 100, the fourth Private Collection "a" and the sixth Trial Proof II / Touched Proof / Private Collection "a", in pencil, with good or full margins, framed.
Largest plate 15 x 12 1/4 inches; 38.1 x 31.1 cm
Largest frame 25 x 21 inches; 63.5 x 53.3 cm

Lightstain and matstain, some with foxing (THE ENCHANTED DOORWAY, VENEZIA with extensive foxing), some printer's ink, soiling and/or other discoloration in the margins and verso, some with unobtrusive handling creases most noticeable in raking light, SHADOWS OF VENICE with a few nicks at top sheet edge, LA COLEGIATA, TORO with a few small losses and tears at sheet edges, 1/2-inch split near the left sheet margin, otherwise in generally good condition, four framed with glass and two with acrylic.

Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953) Lot 54 - John Taylor Arms (1887-1953)

Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.

Auction: Fine Art, Jun 16, 2026

  • Successful Auction of Fine Art on June 16, 2026 Surpasses Expectations

  • Affordable Paintings, Prints & Sculpture Spanning the Late 19th through the 20th Centuries

  • Consignments Are Currently Being Accepted for Future Auctions

  • We Invite You to Contact Us for Complimentary Auction Evaluations of Your Collection


NEW YORK, NY -- Doyle held a successful auction of Fine Art on June 16, 2026 that far surpassed expectations amid international bidding. The sale showcased an exciting diversity of affordable paintings, drawings, prints and sculpture spanning the late 19th through the 20th centuries. Exciting opportunities abound in this popular auction category for seasoned buyers and new collectors alike!

A highlight of the sale was Paul Resika’s (b. 1928) Provincetown Pier—Guardi from 1984 that realized $32,000, many times its $5,000-8,000 estimate. In this tonalist painting from the Estate of Susann Kelly Kurz, who acquired the work in 1985, Resika pays homage to the Venetian views of the 18th century master Francesco Guardi with an atmospheric vision of Provincetown, Massachusetts, a community long associated with the artist. Read more about Susann Kelly Kurz.

Also performing strongly was Isaac (Itshak) Jack Holtz's (Polish/American, 1925–2018) depiction of The Wailing Wall from 1978 that soared over its estimate to achieve an impressive $35,200. Holtz studied at the Bezalel Academy in Jerusalem before continuing his training in New York at the Art Students League under Robert Brackman and Harry Sternberg, and at the National Academy of Design with Robert Philipp. In 2022, Doyle set the world auction record for a work by Holtz at $50,400.

We Invite You to Auction!

Consignments are currently being accepted for future auctions. We invite you to contact us for complimentary auction estimates. Our Specialists are always available to discuss the sale of a single item or an entire collection.

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