Dec 9, 2025 11:00 EST

Fine Art: 19th Century & Early Modernism

 
Lot 2136
 

2136

Hugues Claude Pissarro

French, b. 1935
Lélia en Japonnaise dans la grande allée du jardin d'Athis
Signed H. Claude Pissarro (lr); further signed, inscribed le petit fils and as titled on the reverse
Oil on canvas
32 x 39 3/8 inches (81.3 x 100 cm)

Framed 41 x 48 1/2 inches

Sold for $12,160
Estimated at $6,000 - $8,000

Includes Buyer's Premium


 

French, b. 1935
Lélia en Japonnaise dans la grande allée du jardin d'Athis
Signed H. Claude Pissarro (lr); further signed, inscribed le petit fils and as titled on the reverse
Oil on canvas
32 x 39 3/8 inches (81.3 x 100 cm)

Framed 41 x 48 1/2 inches

Auction: Fine Art: 19th Century & Early Modernism, Dec 9, 2025

  • Successful Auction of Fine Art: 19th Century & Early Modernism on December 9, 2025 Surpasses Expectations

  • Affordable Paintings, Prints & Sculpture Spanning the Late 19th through the Mid-20th Centuries

  • Fenêtre a Cannes by Jean Jules Louis Cavailles Achieves $41,600 Amid Trans-Atlantic Bidding

  • We Invite You to Contact Us for Complimentary Auction Evaluations of Your Collection


NEW YORK, NY -- Competitive bidding drove outstanding results at Doyle’s auction of Fine Art: 19th Century & Early Modernism on December 9, 2025. The sale showcased an exciting diversity of paintings, prints and sculpture spanning Academic and Barbizon works through Impressionism and Post-Impressionism to German Expressionism and early Modernism. With a wide range of artwork offered at accessible price points, the popular Fine Art auction category continues to present exciting opportunities for both seasoned buyers and new collectors alike.

Highlighting the sale was an oil on canvas by French artist Jean Jules Louis Cavailles (1901-1977) that sailed past its estimate of $5,000-8,000 to achieve an impressive $41,600 amid trans-Atlantic bidding. A particularly delightful scene from The Collection of Lucille Coleman, Fenêtre a Cannes depicts a sunny harbor viewed through colorful flowers before an open window. Lucille Coleman was a gracious presence in New York’s philanthropic and cultural circles. Known for her exceptional taste and quiet generosity, she brought elegance to every endeavor—from her thoughtful collecting to her steadfast support of charitable organizations. Among her many philanthropic commitments, she maintained a decades-long relationship with NewYork-Presbyterian Hospital, which honored her contributions by naming a residential tower on Manhattan’s Upper East Side. Her collection reflected a life dedicated to beauty, legacy and meaningful engagement with the world around her.

The sale also saw strong results for works by Arik Brauer, Bernard Buffet, Georges D'Espagnat, Pedro Figari, Charles Jones, Boris Margo, Hugues Claude Pissarro, Antonio Maria De Reyna Manescau, and Henry Scott, among many others.

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