The Collection of Lucille Coleman
French 1913-1999
Nature Morte a l'Arlequin, 1959
Signed C. VENARD (lr); dated 1959 on the reverse
Oil on canvas
45 x 57 1/2 inches (114.3 x 146.1 cm)
Provenance:
Sale, Mes. Appay, Gairoard et Besch, Cannes - Palm Beach, Aug. 20, 1990, lot 131
Sold for $30,720
Estimated at $10,000 - $15,000
Includes Buyer's Premium
The Collection of Lucille Coleman
French 1913-1999
Nature Morte a l'Arlequin, 1959
Signed C. VENARD (lr); dated 1959 on the reverse
Oil on canvas
45 x 57 1/2 inches (114.3 x 146.1 cm)
Provenance:
Sale, Mes. Appay, Gairoard et Besch, Cannes - Palm Beach, Aug. 20, 1990, lot 131
The work is in great condition overall. There are isolated areas of stable craquelure throughout. Craquelure is most prominent in 4 areas around the center of the painting extending towards center bottom, where the paint is heavily impasto. There's no corresponding paint loss associated with craquelure. There are some flakes of paint loss in the upper left corner of the painting. No signs of prior restoration under UV light inspection.
Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
Auction: Important Fine Art including Paintings from The Collection of Lucille Coleman, Nov 20, 2025
NEW YORK, NY -- Doyle's November 20, 2025 auction of Important Fine Art saw bidders from around the globe drive outstanding results thoughout the sale. Showcased were exceptional paintings, drawings and sculpture by European, American, Latin American and Asian artists spanning the late 19th through the 20th century.
Highlighting the sale was a newly discovered, early work by Salvador Dalí (1904-1989) that achieved an impressive $191,000 amid international bidding. Painted in 1925 during his formative years at the San Fernando Academy, Jeune femme en robe verte à demi-allongée de dos, had long been held in the family of American composer Harold Arlen. Works from this brief pre-Surrealist period reveal a young painter deeply absorbed in the study of form, proportion, and light, refining his technique through close observation of the Old Masters. The serene composition reflects the artist’s classical precision and technical command—qualities that would soon give rise to his revolutionary surrealist style. Read an essay profiling this work, Click Here.
Important Paintings from The Collection of Lucille Coleman
A special section of the sale presented Important Paintings from The Collection of Lucille Coleman, featuring works by Bernard Buffet, Gustave Loiseau, Maurice Utrillo, Louis Valtat, Maurice de Vlaminck and others (lots 116–141). Read More
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