The Collection of Lucille Coleman
French, 1869-1952
Vase Anémones et Citrons, Draperie, 1934
Stamped L. Valtat (ll)
Oil on canvas
25 7/8 x 32 inches (65.7 x 81.3 cm)
Literature:
Docteur Jean Valtat, Louis Valtat: Catalogue de l'Oeuvre Peint, 1869-1952, vol. I, Paris, 1977, no. 2332, p. 260, illus.
This painting is accompanied by a photo-certificate of authenticity from Docteur Jean Valtat, dated January 29, 1970.
Framed: 35 x 41 1/2 x 3 3/4 inches
Sold for $76,700
Estimated at $50,000 - $80,000
Includes Buyer's Premium
The Collection of Lucille Coleman
French, 1869-1952
Vase Anémones et Citrons, Draperie, 1934
Stamped L. Valtat (ll)
Oil on canvas
25 7/8 x 32 inches (65.7 x 81.3 cm)
Literature:
Docteur Jean Valtat, Louis Valtat: Catalogue de l'Oeuvre Peint, 1869-1952, vol. I, Paris, 1977, no. 2332, p. 260, illus.
This painting is accompanied by a photo-certificate of authenticity from Docteur Jean Valtat, dated January 29, 1970.
Framed: 35 x 41 1/2 x 3 3/4 inches
Important Paintings from The Collection of Lucille Coleman
Glue lined. Edged with paper-tape. Minor hairline craquelure in isolated spots throughout the canvas consistent with age; there are some areas, mainly at the lower left corner, with heavier craquelure. Surface is smooth and colors are bright. There are tiny spots of inpainting scattered at the far upper and center left, at the very edge in the darker pigments; there are a few spots of inpainting in the vase and then scattered.
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Auction: Important Fine Art including Paintings from The Collection of Lucille Coleman, Nov 20, 2025
NEW YORK, NY -- Doyle's November 20, 2025 auction of Important Fine Art saw bidders from around the globe drive outstanding results thoughout the sale. Showcased were exceptional paintings, drawings and sculpture by European, American, Latin American and Asian artists spanning the late 19th through the 20th century.
Highlighting the sale was a newly discovered, early work by Salvador Dalí (1904-1989) that achieved an impressive $191,000 amid international bidding. Painted in 1925 during his formative years at the San Fernando Academy, Jeune femme en robe verte à demi-allongée de dos, had long been held in the family of American composer Harold Arlen. Works from this brief pre-Surrealist period reveal a young painter deeply absorbed in the study of form, proportion, and light, refining his technique through close observation of the Old Masters. The serene composition reflects the artist’s classical precision and technical command—qualities that would soon give rise to his revolutionary surrealist style. Read an essay profiling this work, Click Here.
Important Paintings from The Collection of Lucille Coleman
A special section of the sale presented Important Paintings from The Collection of Lucille Coleman, featuring works by Bernard Buffet, Gustave Loiseau, Maurice Utrillo, Louis Valtat, Maurice de Vlaminck and others (lots 116–141). Read More
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