The Collection of Lucille Coleman
French, 1876-1958
Maisons Derrières des Arbres, 1910
Oil on canvas
37 5/8 x 38 5/8 inches (96.2 x 98.1 cm)
Provenance:
Galerie Kahnweiler, Paris
Private collection
Sale, consigned by the above to Sotheby's, New York, Nov. 19, 1986, lot 157 (as L'Orage)
Galerie de la Presidence, Paris, acquired at the above sale
Private collection, acquired from the above circa 1987
Sale, Drouot Montaigne, Mar. 30, 1995, lot 21 (as L'Orage, dated circa 1911-13)
Lucille Coleman, New York, acquired from the above
Exhibited:
Paris, Galerie de la Presidence, Maurice Vlaminck, May-Jun. 1987, no. 10, illus. as L'Orage, dated circa 1911-13
This work will be included in The Wildenstein Plattner Institute's forthcoming Digital Catalogue Raisonne of Maurice de Vlaminck.
With photocopies of certificates from F. Chibret-Plaussu; Gilbert Petrides, dated May 15, 1987, no. 19/173; Mmes. Edwige and Godelieve Vlaminck, dated June 28, 1987 and a letter of inclusion in the forthcoming catalogue raisonne de l'oeuvre de Maurice de Vlaminck from the Wildenstein Institute, dated March 2, 1995.
Frame: 49 3/4 x 50 inches
Sold for $127,500
Estimated at $100,000 - $150,000
Includes Buyer's Premium
The Collection of Lucille Coleman
French, 1876-1958
Maisons Derrières des Arbres, 1910
Oil on canvas
37 5/8 x 38 5/8 inches (96.2 x 98.1 cm)
Provenance:
Galerie Kahnweiler, Paris
Private collection
Sale, consigned by the above to Sotheby's, New York, Nov. 19, 1986, lot 157 (as L'Orage)
Galerie de la Presidence, Paris, acquired at the above sale
Private collection, acquired from the above circa 1987
Sale, Drouot Montaigne, Mar. 30, 1995, lot 21 (as L'Orage, dated circa 1911-13)
Lucille Coleman, New York, acquired from the above
Exhibited:
Paris, Galerie de la Presidence, Maurice Vlaminck, May-Jun. 1987, no. 10, illus. as L'Orage, dated circa 1911-13
This work will be included in The Wildenstein Plattner Institute's forthcoming Digital Catalogue Raisonne of Maurice de Vlaminck.
With photocopies of certificates from F. Chibret-Plaussu; Gilbert Petrides, dated May 15, 1987, no. 19/173; Mmes. Edwige and Godelieve Vlaminck, dated June 28, 1987 and a letter of inclusion in the forthcoming catalogue raisonne de l'oeuvre de Maurice de Vlaminck from the Wildenstein Institute, dated March 2, 1995.
Frame: 49 3/4 x 50 inches
Important Paintings from The Collection of Lucille Coleman
Glue lined; edged with paper-tape; scattered spots of inpainting, mainly along the edges and around the perimeter of the painting; there are some spots at center left, center and a larger area of tiny spots of inpainting at center right.
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Auction: Important Fine Art including Paintings from The Collection of Lucille Coleman, Nov 20, 2025
NEW YORK, NY -- Doyle's November 20, 2025 auction of Important Fine Art saw bidders from around the globe drive outstanding results thoughout the sale. Showcased were exceptional paintings, drawings and sculpture by European, American, Latin American and Asian artists spanning the late 19th through the 20th century.
Highlighting the sale was a newly discovered, early work by Salvador Dalí (1904-1989) that achieved an impressive $191,000 amid international bidding. Painted in 1925 during his formative years at the San Fernando Academy, Jeune femme en robe verte à demi-allongée de dos, had long been held in the family of American composer Harold Arlen. Works from this brief pre-Surrealist period reveal a young painter deeply absorbed in the study of form, proportion, and light, refining his technique through close observation of the Old Masters. The serene composition reflects the artist’s classical precision and technical command—qualities that would soon give rise to his revolutionary surrealist style. Read an essay profiling this work, Click Here.
Important Paintings from The Collection of Lucille Coleman
A special section of the sale presented Important Paintings from The Collection of Lucille Coleman, featuring works by Bernard Buffet, Gustave Loiseau, Maurice Utrillo, Louis Valtat, Maurice de Vlaminck and others (lots 116–141). Read More
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