Jun 5, 2025 11:00 EST

Stage & Screen

 
  Lot 521
 

521

The Technical Production Manager's Annotated Script for The Phantom of the Opera

Estate / Collection: Property of Technical Production Manager Jake Bell

THE PHANTOM OF THE OPERA

Original Production Script for The Phantom of the Opera with the Technical Production Manager’s Annotations. The Technical Production Manager Jake Bell’s annotated script for the first Broadway production of The Phantom of the Opera, the title page headed in ink "Jake's script" and in type "New York Production," under the credits on the title the addresses of the London based "Really Useful Group" and New York based "Cameron Mackintosh Productions" are printed. Within, the printed pages of the script are annotated in pencil and typed notes in the margins, most sheets are backed or interleaved with either music of Jake Bell's print outs of computerized cues for rollers, auto-fly, traps, etc. The script is about 120 leaves, many being backed by other printed and marked up sheets. Housed in a black three-hole binder with related production instruction in the front folder titled "Stage Right Preset" and "Deck Cues," an opening night Playbill dated 26 January 1988, and a stage-used Phantom dummy finger. The title page somewhat spotted, other stray stains, wear from use, light spotting and soiling.

The present script is a remarkable artifact of one of the most technically challenging and crowd pleasing musicals in Broadway history. As described in his notes below, Technical Production Manager Jake Bell was instrumental in raising - and crashing down - the famous Phantom chandelier at the Majestic Theatre on Broadway and on numerous tours. Jake's annotations and the additional inserted material here not only provides the script but also the technical cues for the monkey music box ("Warn Monkey," "Monkey Go") and the pyrotechnics for when the chandelier is first raised. As noted below, as one of the first shows to incorporate a computer system, the instructions captured in this script for that early system is quite interesting. A very important original production script wth annotations for one of Broadway's best-loved and longest running musicals.

Technical Production Manager Jake Bell's Notes on The Phantom of the Opera:

This script comes from the archives of Jake Bell, Technical Production Manager for The Phantom of the Opera from its first year on Broadway to its closing in April 2023 as the longest running musical in Broadway history at 13,981 performances. Jake Bell had been with Phantom from the beginning, having been first hired by British Producer Cameron Mackintosh for the Broadway production in 1988 and continuing through decades of national and international tours. The show’s technical requirements were so advanced that many theaters had to undergo extensive renovations to accommodate it. An excavator was brought in to dig the basement 10 feet deeper, allowing the candles and candelabras—212 in total—to rise seamlessly from the stage floor. The expanded basement also provided space for a trap door, a retractable staircase, and the rising Paris Opera House roof dome. Further, steel support structures were installed to hold the massive proscenium and chandelier both of which hung over the audience. Suspended above the audience, the chandelier dramatically crashed onto the stage in one of the show’s most spectacular effects. The original Broadway chandelier remained in use throughout the show’s 35-year run. It was never replaced, thanks to meticulous maintenance—including rewiring, re-welding, replacing globes, repainting, and continuous cleaning. The chandelier was named “Ruthie II” after its London counterpart, “Ruthie I.” The name was in honor of Ruth Mitchell, Hal Prince’s formidable assistant, who was known for her strong personality and unmatched dedication.

At the Majestic Theatre on 44th Street, Phantom was one of the first major productions to incorporate a fully computer-automated system. With 52 computer operated automated effects controlling both the deck scenery and fly system, manual operation would have been impossible due to the sheer volume of simultaneous cues. Computerization became essential.

The show’s costumes were equally legendary. The beading, fabric selections, and intricate designs were breathtaking. The Masquerade Ball scene alone featured 50-60 costumes, with some discreetly placed on mannequins to enhance the grandeur. Christine’s wedding dress bustle weighed nearly 35 pounds. The U.S. National Tour required 1.5 full 48-foot tractor-trailers solely for transporting costumes. With its technical achievements, Phantom became a global phenomenon, captivating audiences across the world.

Sold for $416
Estimated at $600 - $800

Includes Buyer's Premium


 

Estate / Collection: Property of Technical Production Manager Jake Bell

THE PHANTOM OF THE OPERA

Original Production Script for The Phantom of the Opera with the Technical Production Manager’s Annotations. The Technical Production Manager Jake Bell’s annotated script for the first Broadway production of The Phantom of the Opera, the title page headed in ink "Jake's script" and in type "New York Production," under the credits on the title the addresses of the London based "Really Useful Group" and New York based "Cameron Mackintosh Productions" are printed. Within, the printed pages of the script are annotated in pencil and typed notes in the margins, most sheets are backed or interleaved with either music of Jake Bell's print outs of computerized cues for rollers, auto-fly, traps, etc. The script is about 120 leaves, many being backed by other printed and marked up sheets. Housed in a black three-hole binder with related production instruction in the front folder titled "Stage Right Preset" and "Deck Cues," an opening night Playbill dated 26 January 1988, and a stage-used Phantom dummy finger. The title page somewhat spotted, other stray stains, wear from use, light spotting and soiling.

The present script is a remarkable artifact of one of the most technically challenging and crowd pleasing musicals in Broadway history. As described in his notes below, Technical Production Manager Jake Bell was instrumental in raising - and crashing down - the famous Phantom chandelier at the Majestic Theatre on Broadway and on numerous tours. Jake's annotations and the additional inserted material here not only provides the script but also the technical cues for the monkey music box ("Warn Monkey," "Monkey Go") and the pyrotechnics for when the chandelier is first raised. As noted below, as one of the first shows to incorporate a computer system, the instructions captured in this script for that early system is quite interesting. A very important original production script wth annotations for one of Broadway's best-loved and longest running musicals.

Technical Production Manager Jake Bell's Notes on The Phantom of the Opera:

This script comes from the archives of Jake Bell, Technical Production Manager for The Phantom of the Opera from its first year on Broadway to its closing in April 2023 as the longest running musical in Broadway history at 13,981 performances. Jake Bell had been with Phantom from the beginning, having been first hired by British Producer Cameron Mackintosh for the Broadway production in 1988 and continuing through decades of national and international tours. The show’s technical requirements were so advanced that many theaters had to undergo extensive renovations to accommodate it. An excavator was brought in to dig the basement 10 feet deeper, allowing the candles and candelabras—212 in total—to rise seamlessly from the stage floor. The expanded basement also provided space for a trap door, a retractable staircase, and the rising Paris Opera House roof dome. Further, steel support structures were installed to hold the massive proscenium and chandelier both of which hung over the audience. Suspended above the audience, the chandelier dramatically crashed onto the stage in one of the show’s most spectacular effects. The original Broadway chandelier remained in use throughout the show’s 35-year run. It was never replaced, thanks to meticulous maintenance—including rewiring, re-welding, replacing globes, repainting, and continuous cleaning. The chandelier was named “Ruthie II” after its London counterpart, “Ruthie I.” The name was in honor of Ruth Mitchell, Hal Prince’s formidable assistant, who was known for her strong personality and unmatched dedication.

At the Majestic Theatre on 44th Street, Phantom was one of the first major productions to incorporate a fully computer-automated system. With 52 computer operated automated effects controlling both the deck scenery and fly system, manual operation would have been impossible due to the sheer volume of simultaneous cues. Computerization became essential.

The show’s costumes were equally legendary. The beading, fabric selections, and intricate designs were breathtaking. The Masquerade Ball scene alone featured 50-60 costumes, with some discreetly placed on mannequins to enhance the grandeur. Christine’s wedding dress bustle weighed nearly 35 pounds. The U.S. National Tour required 1.5 full 48-foot tractor-trailers solely for transporting costumes. With its technical achievements, Phantom became a global phenomenon, captivating audiences across the world.

Auction: Stage & Screen, Jun 5, 2025

  • Popular Stage & Screen Auction on Thursday, June 5, 2025 at 11am

  • Memorabilia, Autographs, Artwork & Photographs of the Theater, Hollywood, Music and Dance

  • Hosted in Collaboration with the Entertainment Community Fund (Formerly the Actors Fund)

  • Consignments Are Currently Being Accepted for Future Auctions


NEW YORK, NY -- Doyle hosted the popular Stage & Screen auction on June 5, 2025. Fans and collectors around the world vied for exciting offerings celebrating the performing arts of Theater, Hollywood, Music and Dance.

The Glass Menagerie
Highlighting the sale was an extraordinary script of The Glass Menagerie, inscribed by Tennessee Williams to Jo Mielziner, the celebrated set and lighting designer. Mielziner’s annotated carbon copy, it sold for $11,520, many times its $1,500-2,500 estimate. His notes reveal early design ideas, including “wonderful!” beside Williams’ lighting suggestions. This script predates rewrites and was issued before rehearsals began in late November 1944. Their first collaboration, Menagerie became a theatrical milestone, with Mielziner’s visionary designs playing a crucial role in its success and in later Williams-Meilziner productions, A Streetcar Named Desire and Summer and Smoke.

The Entertainment Community Fund
Recognizing the importance of the performing arts to the fabric of New York, Doyle is proud to collaborate on this auction with the Entertainment Community Fund (formerly The Actors Fund), a 501(c)(3) charitable organization. Lots 501 through 519 were auctioned to directly benefit the Fund, and Doyle will donate 100% of our Buyer's Premium on these lots. Featured are stylish costumes from The Marvelous Mrs. Maisel. For further information on the Entertainment Community Fund, visit EntertainmentCommunity.org

Property of Technical Production Manager Jake Bell
Jake Bell has had a legendary career in the theater as Technical Production Manager for Sir Cameron Mackintosh's iconic musicals. Bell managed some of the most dazzling and technologically advanced stage elements in theater history: the famous falling chandelier in The Phantom of the Opera, the flying helicopter in Miss Saigon, the barricade of Les Misérables and so much more. Among the collection's highlights are annotated production books, scripts, props and memorabilia from Cats, Les Misérables, Miss SaigonA Chorus Line and Phantom of the Opera, including a stage-worn Phantom mask presented to Bell at the April 2023 closing performance. View Lots

The Estate of Tony Roberts
New York native Tony Roberts (1939–2025) was a prolific stage and screen actor with a career spanning over six decades. A two-time Tony award nominee, he appeared in 23 Broadway productions, among them David Merrick’s Barefoot in the Park, Arsenic and Old Lace, and Promises, Promises, for which he won the London Critics Poll Award for the West End production. Among his numerous screen credits are six Woody Allen films, including Annie Hall, Play It Again, Sam and Star-Spangled Girl. He performed in New York City Opera's Brigadoon and South Pacific, and played Scrooge in A Christmas Carol at Madison Square Garden. Collection highlights feature original illustrations by Al Hirschfeld depicting Roberts in Arsenic and Old Lace and Doubles, his script from Star Spangled Girl, and a large group of awards and memorabilia. View Lots

“Costume Bibles” of Barbara Matera
Barbara Matera (1929-2001) was one of the foremost costume designers and creators of costumes on Broadway, working on more than 100 shows between the 1970s to the early 2000s. It was her invariable practice to create a costume bible for every show, with copies of the original designs, specimens of the fabrics used, and notes on the sources of those fabrics. This enabled repairs and new copies of costumes to be consistently assembled over the course of a show. Featured in the sale are costume bibles for Angels in America, Evita, La Cage aux Folles, Phantom of the Opera, RENT and even the Rolling Stones 1994 Voodoo Lounge Tour. View Lots

 

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