Nov 7, 2023 10:00 EST
Rare Books, Autographs & Maps including the Esmond Bradley Martin Collection
232
Leaves of Grass, inscribed by Whitman to the engraver of a well-known portrait
WHITMAN, WALT
Leaves of Grass. New York: 1867. Inscribed in ink on the title page "W.J. Linton / from Walt Whitman", the fourth edition, first issue with "Wm. E. Chapin & Co." to copyright and bound with "Drum-Taps" followed by its sequel and concluding with "Songs Before Parting." Later three-quarters burgundy morocco gilt, housed in a folding cloth case. 7 5/8 x 4 1/2 inches (19.5 x 12 cm); with portrait plate inserted facing p. 23 (a reduced version of the Samuel Hollyer portrait), various paginations. Title toned and lightly spotted, some dampstaining in the upper margin at end and some stray stains to the final leaves, spotting to the portrait after Hollyer, upper joint worn, shelfwear.
Following the Civil War, Whitman envisioned an update of Leaves of Grass, the collection of poems he edited throughout his lifetime. The failure of Thayer & Eldridge of Boston, publisher of the third edition in 1860, left Whitman searching for a printer, which he found in William E. Chapin of New York. The resulting self-published edition was issued in three variants, the first the only to contain Leaves of Grass, Drum-Taps, Sequel to Drum-Taps, and Songs before Parting. Whitman has here inscribed the volumes to William James Linton, the artist behind the well-known 1878 engraving of Whitman as an older man with wide eyes and a full beard. This copy also includes the scarce insertion of the Hollyer portrait of Whitman, first produced for the first edition of Leaves of Grass in 1855, and not found in all copies of this edition. A fine association copy. BAL 21399; Myerson A2.IV.al
Sold for $3,780
Estimated at $4,000 - $6,000
Includes Buyer's Premium
WHITMAN, WALT
Leaves of Grass. New York: 1867. Inscribed in ink on the title page "W.J. Linton / from Walt Whitman", the fourth edition, first issue with "Wm. E. Chapin & Co." to copyright and bound with "Drum-Taps" followed by its sequel and concluding with "Songs Before Parting." Later three-quarters burgundy morocco gilt, housed in a folding cloth case. 7 5/8 x 4 1/2 inches (19.5 x 12 cm); with portrait plate inserted facing p. 23 (a reduced version of the Samuel Hollyer portrait), various paginations. Title toned and lightly spotted, some dampstaining in the upper margin at end and some stray stains to the final leaves, spotting to the portrait after Hollyer, upper joint worn, shelfwear.
Following the Civil War, Whitman envisioned an update of Leaves of Grass, the collection of poems he edited throughout his lifetime. The failure of Thayer & Eldridge of Boston, publisher of the third edition in 1860, left Whitman searching for a printer, which he found in William E. Chapin of New York. The resulting self-published edition was issued in three variants, the first the only to contain Leaves of Grass, Drum-Taps, Sequel to Drum-Taps, and Songs before Parting. Whitman has here inscribed the volumes to William James Linton, the artist behind the well-known 1878 engraving of Whitman as an older man with wide eyes and a full beard. This copy also includes the scarce insertion of the Hollyer portrait of Whitman, first produced for the first edition of Leaves of Grass in 1855, and not found in all copies of this edition. A fine association copy. BAL 21399; Myerson A2.IV.al
Auction: Rare Books, Autographs & Maps including the Esmond Bradley Martin Collection, Nov 7, 2023
-
Successful Auction of Rare Books, Autographs & Maps Tops $1 Million!
-
November 7, 2023 Sale Featured the Esmond Bradley Martin Collection of Africana & Travel
-
Consignments Are Currently Being Accepted for Future Auctions
NEW YORK, NY -- Doyle's successful auction of Rare Books, Autographs & Maps on November 7, 2023 topped $1 million amid competitive international bidding. Offerings in this popular sale spanned early illuminated manuscripts to modern literary first editions.
The Esmond Bradley Martin Collection of Africana and Travel comprised fascinating material that attracted bidders from around the world. Highlighting the collection was a copy of the first Latin edition of the earliest published collection of voyages, including those of Columbus and Vespucci: the 1508 Milan Fracanzo da Montalboddo, which achieved a strong $239,400. The collection also featured a rare uncut copy of Livio Sanuto's 1588 atlas of Africa that doubled its estimate at $25,200, as well as a group of 19th and early 20th century material relating to Zanzibar that attracted intense competition, sending the lots soaring over expectations. (Read more about Esmond Bradley Martin below.)
Property of other owners was highlighted by a first edition of Charles Darwin’s groundbreaking scientific work, On the Origin of Species, 1859, which realized $94,500. This copy bore provenance of Charles Darwin's great-grandson Quentin Keynes, to the naturalist Richard Bayard Dominick, thence by descent to the consignor.
Robert Browning's first edition copy of John Keats’ poem, Endymion, 1818, sold for $37,800, many times its $7,000-10,000 estimate. The poem begins with the well-known verse, "A thing of beauty is a joy for ever."
The selection of livres des artistes featured François-Louis Schmied's Daphne in a major Art Deco binding by Pierre Legrain, 1924, one of 140 copies. The book tripled its $8,000-12,000 estimate, selling for $32,760.
Manuscripts in the sale were highlighted by a medieval manuscript on paper, Calculus temporum Ecclesiasticus, which sailed past its estimate of $3,000-5,000 to achieve an exceptional $31,500. This fascinating calendrical manuscript in Latin, circa 1360, possibly English in origin, was once the property of antiquary and collector Sir Thomas Phillipps (1792-1872).
100 years before the Revolution: from Plymouth Colony to the Salem Witch Trials - The Victor Gulotta Collection, offered a curated collection of 17th and 18th century manuscripts documenting life in colonial New England. Among the rarities were a 1691 document signed by two notorious Salem witch trials magistrates John Hathorne and Jonathan Corwin that realized $5,670, a document from 1686/87 signed by Edmund Andros as Governor of the Dominion of New England that sold for $5,670, and a 1656 Boston court document relating to a divorce case that achieved $6,300, all three exceeding their estimates.
Esmond Bradley Martin
Esmond Bradley Martin (1941-2018) was educated as a geographer and philosopher. He and his wife Chryssee had an enduring fascination with Africa, and settled in Nairobi, Kenya, in the mid-1970s. He wrote extensively, oftentimes in conjunction with his wife, publishing works including Zanzibar. Tradition and Revolution, Hamish Hamilton, 1978; Cargoes of the east. The ports, trade, and culture of the Arabian Seas and western Indian Ocean, Elm Tree Press, 1978; and many other works on African history and conservation. In the late 1970s, he began extensive research into the illegal trade in elephant ivory and rhino horn, which included substantial stints incognito posing as a buyer of illicit wildlife products. For a while, he served as special envoy for rhino conservation for the United Nations. He continued this work until 2018 , when tragically he was stabbed to death in his Nairobi home
For about thirty years, beginning in the mid-1960s, Esmond Bradley Martin assiduously collected books and manuscripts on Africa and its history, acquiring a phenomenal collection of letters by many of the major English explorers of the nineteenth century, as well as numerous rarities from earlier centuries. He was buying at a time when troves of such material surfaced frequently at English auctions. Doyle was privileged to offer the first selection of his collection in the November 7 auction. A second and final portion will be offered early next year.
We Invite You to Auction!
Consignments are currently being accepted for future auctions. We invite you to contact us for a complimentary auction evaluation. Our Specialists are always available to discuss the sale of a single item or an entire collection.
For information, please contact Peter Costanzo at 212-427-4141, ext 248, or Edward Ripley-Duggan at ext. 234, or email Books@Doyle.com
