Jun 5, 2026 11:00 EST

Americana in Boston

 
Lot 140
 

140

The Paul Revere Federal Inlaid Mahogany Tambour Desk

Property from the Descendents of Paul Revere

Probably Boston, Massachusetts, circa 1795
The upper section with two tambour doors opening to a compartmented and multi-drawer interior, set into lower section with red baise-lined fold-down writing surface and three long drawers below, all raised on square double-tapering legs.
Height 43 inches, width 42 3/4, depth 18 3/4 inches.

Provenance:
Paul Revere, Jr., Boston and Canton, Massachusetts, circa 1795
Property of Revere & Son, later Revere Copper, 1818-1905, in the care of Joseph Warren Revere and his son John Revere, Canton, Massachusetts
To John's sons, Edward H.R. Revere and William Bacon Revere, Canton, Massachusetts
To Edward's nieces, Anna and Margaret Revere
To Anna and Margaret's nephew, Paul Revere
To Paul's children, Paul and Avery

Exhibitions:
Museum of Fine Arts, Boston, circa 1931-1950, in the "Revere Room," where it was displayed beneath the portrait of Paul Revere, Jr., painted by John Singleton Copley, which had also descended in the family.

Note:

The name Paul Revere calls to mind his legendary midnight ride at the start of the American Revolution, in April 1775. Thanks largely to Henry Wadsworth Longfellow’s famous poem, Revere’s name is among the most recognizable in early American history. Yet, that midnight ride that has become American mythology is just one episode in a diverse life. Both before and after the Revolution, Revere was a skilled artisan and ambitious entrepreneur whose work influenced Boston's material culture and was found in the homes of prominent Bostonians in the late eighteenth and early nineteenth centuries.

Revere was born in 1735 and as early as the age of 13 was apprenticed to his father, also a silversmith, and trained as a silversmith, goldsmith, and engraver. He had surpassed his father’s prominence by the end of the third quarter of the 18th century, having built a thriving workshop that served many of Boston’s prominent citizens. His clients included merchants, clergy, and civic leaders, and he associated with figures like John Hancock and Samuel Adams, fellow patriots and key members of Boston’s political and commercial circles. The silverware produced in his shop—from tankards and teapots to spoons and serving pieces—not only fulfilled practical needs but also symbolized status and refinement in the young republic. Revere’s craftsmanship is evident in pieces that are celebrated as prime examples of early American artistry.
The war put silversmithing on hold, and when he returned to it in the late 1780s, the market had changed. Undeterred, he adapted to the changes – moving from the higher end and customized pieces that defined his early work, to smaller pieces of silver – spoons and other utilitarian goods. Later in the century, he expanded his enterprise to include iron and copper casting for church and school bells, and larger-scale industrial projects such as copper rolling for architectural use and shipbuilding.

So, it is clear that Revere’s talents extended beyond craftsmanship; he was a businessman who embraced new opportunities in changing markets and took financial and reputational risks during those times of change. This entrepreneurial drive relates closely to Revere’s desk. Based on the form and certain elements of its restrained ornamentation, was likely made in Boston, around 1795. It is supposed, though there is no known documentation, that he acquired it directly from the cabinetmaker. Based on the timing of where he lived and worked, Revere almost certainly used this desk in Boston and brought it to Canton, Massachusetts, to where he expanded his headquarters in 1801.

Desks like this would function as the command center of a business—where records were kept, correspondence was managed, and decisions were made. The pigeonholes and compartments flank a locking door where the most sensitive materials were likely kept – everything has its place. In this way, it serves as an apt symbol of Revere’s world. While his renowned physical creations—printed engravings, silver tablewares, cast metal church bells, and rolled copper— demonstrate his skill and understanding as a craftsman, this desk embodies the mind of the entrepreneur: careful record-keeping, planning, and commercial relationships enabled Paul Revere to build a successful enterprise in the years after the Revolution.

Sold for $57,600
Estimated at $20,000 - $30,000

Includes Buyer's Premium


 

Property from the Descendents of Paul Revere

Probably Boston, Massachusetts, circa 1795
The upper section with two tambour doors opening to a compartmented and multi-drawer interior, set into lower section with red baise-lined fold-down writing surface and three long drawers below, all raised on square double-tapering legs.
Height 43 inches, width 42 3/4, depth 18 3/4 inches.

Provenance:
Paul Revere, Jr., Boston and Canton, Massachusetts, circa 1795
Property of Revere & Son, later Revere Copper, 1818-1905, in the care of Joseph Warren Revere and his son John Revere, Canton, Massachusetts
To John's sons, Edward H.R. Revere and William Bacon Revere, Canton, Massachusetts
To Edward's nieces, Anna and Margaret Revere
To Anna and Margaret's nephew, Paul Revere
To Paul's children, Paul and Avery

Exhibitions:
Museum of Fine Arts, Boston, circa 1931-1950, in the "Revere Room," where it was displayed beneath the portrait of Paul Revere, Jr., painted by John Singleton Copley, which had also descended in the family.

Note:

The name Paul Revere calls to mind his legendary midnight ride at the start of the American Revolution, in April 1775. Thanks largely to Henry Wadsworth Longfellow’s famous poem, Revere’s name is among the most recognizable in early American history. Yet, that midnight ride that has become American mythology is just one episode in a diverse life. Both before and after the Revolution, Revere was a skilled artisan and ambitious entrepreneur whose work influenced Boston's material culture and was found in the homes of prominent Bostonians in the late eighteenth and early nineteenth centuries.

Revere was born in 1735 and as early as the age of 13 was apprenticed to his father, also a silversmith, and trained as a silversmith, goldsmith, and engraver. He had surpassed his father’s prominence by the end of the third quarter of the 18th century, having built a thriving workshop that served many of Boston’s prominent citizens. His clients included merchants, clergy, and civic leaders, and he associated with figures like John Hancock and Samuel Adams, fellow patriots and key members of Boston’s political and commercial circles. The silverware produced in his shop—from tankards and teapots to spoons and serving pieces—not only fulfilled practical needs but also symbolized status and refinement in the young republic. Revere’s craftsmanship is evident in pieces that are celebrated as prime examples of early American artistry.
The war put silversmithing on hold, and when he returned to it in the late 1780s, the market had changed. Undeterred, he adapted to the changes – moving from the higher end and customized pieces that defined his early work, to smaller pieces of silver – spoons and other utilitarian goods. Later in the century, he expanded his enterprise to include iron and copper casting for church and school bells, and larger-scale industrial projects such as copper rolling for architectural use and shipbuilding.

So, it is clear that Revere’s talents extended beyond craftsmanship; he was a businessman who embraced new opportunities in changing markets and took financial and reputational risks during those times of change. This entrepreneurial drive relates closely to Revere’s desk. Based on the form and certain elements of its restrained ornamentation, was likely made in Boston, around 1795. It is supposed, though there is no known documentation, that he acquired it directly from the cabinetmaker. Based on the timing of where he lived and worked, Revere almost certainly used this desk in Boston and brought it to Canton, Massachusetts, to where he expanded his headquarters in 1801.

Desks like this would function as the command center of a business—where records were kept, correspondence was managed, and decisions were made. The pigeonholes and compartments flank a locking door where the most sensitive materials were likely kept – everything has its place. In this way, it serves as an apt symbol of Revere’s world. While his renowned physical creations—printed engravings, silver tablewares, cast metal church bells, and rolled copper— demonstrate his skill and understanding as a craftsman, this desk embodies the mind of the entrepreneur: careful record-keeping, planning, and commercial relationships enabled Paul Revere to build a successful enterprise in the years after the Revolution.

Left tambour door works but is slightly sticky; right tambour door split along a previous fix, with back edge currently still in channel; shrinkage cracks to lower case sides filled; brass bail handles added to upper and lower cases. Interior drawer pulls replaced, in some cases meaning that the tambour doors do not fit past them.

Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.

Auction: Americana in Boston, Jun 5, 2026

  • Successful Americana in Boston Auction on June 5, 2026 Surpasses Expectations!

  • Hawai'ian Pre-Statehood Flag Quilt Tops the Sale at $76k

  • Baltimore Federal Paint-Decorated Pier Table Achieves $70k

  • Paul Revere's Tambour Desk and Paul Revere Silver Ladle More than Double Their High Estimates

  • Consignments Are Currently Being Accepted for Future Auctions

BOSTON, MA -- Doyle's Americana in Boston auction on June 5, 2026 far surpassed expectations amid competitive bidding from coast to coast. Held at Doyle Boston in The Vendome and livestreamed on Doyle.com, the auction underscored continued collector demand for important Americana with strong provenance, rarity and historical significance. Taking place during our nation's Semiquincentennial Year, the sale resonated with collectors seeking furniture and decorative arts, silver, clocks, mirrors, paintings, samplers, folk art and other treasures that reflect America's rich artistic and cultural heritage.

Hawaiʻian Pre-Statehood Flag Quilt -- $76,700 
Highlighting the sale was a rare Hawaiʻian pre-statehood flag quilt that soared over its $10,000-20,000 estimate to achieve an impressive $76,700. Likely made after the 1893 overthrow of the Hawaiʻian monarchy and known as Kuʻu Hae Aloha (“My Beloved Flag”) quilts, they featured the Hawaiʻian flag and royal symbols as expressions of cultural identity and loyalty to the Kingdom of Hawaiʻi during a period of political upheaval. This quilt descended in the family of the consignor since around 1920, when it was reportedly received, in Hawai'i, as payment for medical services provided.

Baltimore Federal Pier Table -- $70,350
An elegant Federal paint-decorated pier table, made in Baltimore in the early 19th century, realized $70,350, far over its $30,000-50,000 estimate. Baltimore was a style center during the Federal period renowned for its painted furniture, with artisans embellishing elegant forms with faux finishes, neoclassical motifs and intricate decorative painting that reflected the city's prosperous and sophisticated taste.

Paul Revere's Tambour Desk -- $57,600 
A Federal inlaid mahogany tambour desk owned by American patriot and entrepreneur Paul Revere realized $57,600, nearly doubling its $20,000-30,000 estimate. Likely made in Boston around 1795, the desk would have served as the operational center of Revere's business ventures. Addtionally, the desk's exceptional provenance—remaining in the Revere family for more than two centuries and exhibited in the Museum of Fine Arts, Boston's "Revere Room" beneath John Singleton Copley's portrait of Revere—made it a tangible link to one of the most influential craftsmen and entrepreneurs of early America (Read More).

Paul Revere Silver Ladle -- $35,200
A Paul Revere silver ladle from Boston, circa 1790, also brought strong interest, selling for $35,200, tripling its $8,000-12,000 estimate. Engraved with a "P," the ladle is traditionally linked to Theophilus Parsons, a leading Massachusetts jurist and chief justice of the state’s Supreme Judicial Court in the early 19th century.

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